Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine hous当一扇门关闭时，另一扇门会打开。
耐心是一种智慧，它能带来意想不到的成就。
每一个结束都是新开始的起点。
真正的力量来源于内心的平静与坚定。
宽容是心灵的美德，能够治愈世界的伤痛。
人生最大的成就不是从不失败，而是能够每次失败后都重振旗鼓。
每一个付出终将有所回报，哪怕时机不尽如人意。
不要为昨天的烦恼忧心忡忡，因为明天的希望值得期待。
成功不是将来才有的，而是从决定去做的那一刻起，持续累积的过程。
学会感恩，因为拥有的比失去的更多。
困难犹如强者的磨刀石，能让人更加坚强和成熟。
爱是生命的灵魂，没有它，生命将变得黯然失色。
善良是一种力量，能够改变世界的格局。
理解是沟通的桥梁，能够化解误解和纷争。
坚持自我，不被他人的评价左右，这是成长的关键。
勇敢面对自己的内心，这比征服任何一座城市更为重要。
责任感是成熟的象征，它使我们更加可靠和值得信赖。
生活不是等待暴风雨过去，而是学会在雨中跳舞。
宁愿原谅别人，也不愿让心中的怨恨侵蚀自己的灵魂。
信念是前行的动力，它可以穿越岁月的风雨。e, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody.
Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother.
The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code.
Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
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